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Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. Use of these names does not imply any cooperation or endorsement. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. T-RackS® is a registered trademark property of IK Multimedia Production. Vintage Tube Compressor/Limiter Model 670 M/S meters too will help you gather information about the relations between the mono and the stereo content of a track in terms of “overall energy”, so you can choose whether to go for a more widespread or in-your-face kind of sound.Īdditionally, T-RackS 5’s new metering section can be launched as a separate floating window, like on a secondary screen, to let you keep an eye on levels while you focus on sound processing. The spectrogram, the real-time analyzer, the phase and correlation meters will also help you visually spot frequency imbalances and phase problems you might need to address before printing your masters for both digital and physical distribution. This way you can decide whether you want to go for a more compressed sound or a more dynamic one while still retaining the emotional impact of your songs. Peak, RMS and Dynamic Range meters give you useful information about the “crest factor” and dynamic response of your mixes. #MIX AND MASTERING PROGRAMS PROFESSIONAL#The new precision loudness LUFS meter, compliant with all leading professional reference standards, gives you valuable information about the integrated, mid or short term loudness of the material you are working on, so you know right away you are producing a master that has the perfect loudness for music delivery or broadcasting. From equalizers and compressors, to reverbs, delays, harmonics enhancers and stereo processors, the choice is yours. The plug-in suite allows you to tap onto almost all the standalone mode features within the environment of your DAW of choice as the most powerful channel strip or mastering chain available today as a plug-in.Īll T-RackS processors (including metering) can also be used as single plug-ins in any compatible DAW for multi-track mixing and stereo mastering duties. Add to this a set of astoundingly precise and smooth, easy on the eye industry standard professional meters and you have everything you need to finalize your work from A to Z in one place. #MIX AND MASTERING PROGRAMS SERIES#It's all in there: from an ever-expanding series of great sounding processors, to the most basic, but always necessary, waveform editing functions (like fades and length trimming of the audio file). #MIX AND MASTERING PROGRAMS SOFTWARE#You start trying other software and your mind is blown because it can't do certain things that Reaper can do.The standalone suite makes T-RackS 5 a complete, self-contained, one-stop mixing and mastering workstation that allows you to load a set of audio tracks and perform several operations, a typical method of top mastering studios. With Reaper - the relationship is such that the more you get to know it, the harder it is to ever leave it. Indentation shows you what-is-in-what, and when you throw an effect on a track folder it applies to everything inside. It makes routing incredibly easy, and you can see visually what's going on. I would have assumed every DAW does that but it doesn't. But that's part of what makes the software so incredibly stable so I am forgiving.Īnother thing I love is its track folders function as busses. The UI when mixing & tracking looks great but the stock plugins and other menus are very "standard" or "programmer art" looking. What are the shortcomings? Mainly visual / experiential. Everyone has different processes and Reaper's customization means you can make the workflow fit your needs. "Customization" isn't just about visuals - it's about workflow. There's also user scripts for even more specifics. There is an SWS script library that is like a giant swiss army knife, and that's just the official set. #MIX AND MASTERING PROGRAMS CODE#Watertight code leads to incredible stability and it seems to run more plugins before getting bogged down. I can tell you why I prefer Reaper, myself: This is certainly a subjective question, and you'd have to REALLY define your question if you want an objective answer. ![]()
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